My work explores connection — between people, between bodies and space, and between inner and outer experience. I am interested in how connection can be felt as a form of knowing: intuitive, physical, and not dependent on language.

Working across painting, drawing, and sculptural forms, I use color, material, and texture to create a sense of presence. Process is central to my practice. I work intuitively, allowing materials to guide each piece rather than working toward a predetermined outcome. Meaning emerges through making.

I came to abstract work through a lifelong engagement with music. I am deeply influenced by listening, improvisation, and embodied attention. My work often moves between structure and spontaneity, tension and release, and a growing sense of lightness and joy that emerges through movement and play.

Alongside my larger paintings, I create smaller, more intimate works—objects and sculptural pieces that carry the same language of line, color, and gesture. These works are part of iinki, my studio practice focused on small-scale forms and objects. Within iinki, ideas become more immediate and tactile, offering a sense of warmth, curiosity, and a quiet, playful joy.

Across media, my aim is to create work that invites feeling before interpretation — work that can be experienced intuitively, and known without words, while leaving space for moments of recognition, ease, and joy.